We both get to have our own journeys and our own stories, but still have each other along the way.” Of course it was so nice to have each other to lean on and have that built-in support as we were moving through.” Rachel added, “It’s just really amazing. I don’t think we would have had it any other way.” She continued, “I think people do know at this point that we do each have our own love stories.

“But the experience Rachel and I had as Bachelorettes was so special and memorable.

“It was a huge learning process for everyone because it was such new territory,” Gabby told People in July 2022. RELATED: Click Here For the Best New Binge-Worthy Shows You Haven’t Seen-But Should The Bachelorette season 11 started with two Bachelorettes, Kaitlyn Bristowe and Britt Nilsson, but Kaitlyn was chosen as the sole Bachelorette by the contestants in episode one. The Bachelorette season 19 will be the first Bachelor or Bachelorette season to have two full-time leads. Gabby and Rachel were announced as the season 19 Bachelorettes at The Bachelor season 26 “After the Final Rose” special in March 2022. Gabby Windey, a 31-year-old ICU nurse from O’Fallon, Illinois, and Rachel Recchia, a 26-year-old flight instructor from Clermont, Florida, were contestants on The Bachelor season 26 with Clayton Echard, where they were both eliminated in the final three after Clayton chose Susie Evans, a 29-year-old wedding videographer from Virginia Beach, Virginia, as his winner. The Bachelorette 2022 spoilers for Gabby and Rachel’s winners are here, and double the Bachelorettes means double the trouble Dismantling the system of this socioeconomic experiment unravels through David Desola and Pedro Rivero's knotty, exposition-packed script.Bachelor Nation, the wait is over.

Those on the top get first dibs on a giant platform of food that descends from the ceiling everyday those on the bottom get the scraps-or nothing at all. Instead of a train, The Platform takes place in a prison-like structure called the 'Vertical Self-Management Center' where inmates live two to a floor. It's difficult to watch The Platform, a cannibalistic prison freak-out from Spain, and not imagine a producer sitting in a conference room or a coffee shop and musing, 'What if Snowpiercer but vertical?' The debut feature from Spanish filmmaker Galder Gaztelu-Urrutia boasts an appealing high-concept premise, an oddly affable leading man in actor Iván Massagué, and a series of brutal twists that should intrigue anyone currently watching the news and thinking about the possible end game of rampant inequality.

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